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Chopping Box Routing Project

Chopping Box Routing Project
  Incorporating a small pullout tray which you can sweep your chopped vegetables to transfer to the pot.

This is an interesting little project which resulted from a request by a local cook shop for some chunky chopping boards that were “a little different”. Unfortunately, I didn´t know what you could do to make a chopping board different, apart from altering the shape and playing about with different coloured laminations, so some serious thinking was called for.

I was particularly taken with one I found in a mail order catalogue, as this incorporated a small drawer underneath to accommodate knives. However, the size required for this particular board was to be quite neat and the resulting drawer would have been too small to be useful as storage. So instead I converted the idea into a small pullout tray onto which you can sweep your chopped vegetables and then easily transfer them to the cooking pot, rather than having to lift the heavy chopping board each time.

Although not strictly necessary the best chopping boards are always laminated up using end grain blocks which are theoretically harder and more resistant to wear. This may be true, but it does make the project a bit more complicated and some accurate working is essential.

For a nice contrast I settled on using Iroko for the chopping block itself and maple for the rest of the box. Any hardwood will do but Iroko is one of those timbers that is relatively moisture resistant and also quite stable, so the laminated blocks should remain smooth.

1. The starting material for the block was some offcuts of 1 1/2 inch material. Unfortunately there was not quite enough to get all the blocks from a single piece so I chose two with the most consistent grain structure rather than colour.
     
Preparing the Material
  2. With multiple laminated work like this it is absolutely vital that the material is planed up perfectly square, or even minute errors will accumulate as you build up the block and gaps will soon start appearing. So check the planer fence carefully for squareness, making sure it is absolutely spot-on.
Preparing the Material
  3. Then machine the work equally carefully, keeping it tight up against the fence and only taking light cuts.
Preparing the Material
  4. With one face and edge true, rip the squares out on the bandsaw, again not forcing the cut all you will lose accuracy.
Preparing the Material
  5. They will have to be thicknessed to get them perfectly square, and I always find that it helps to pass all four faces through the thicknesser as this leaves a much better finish that the planer. There must be no marks or ripples left on the surface, or the blocks will not pull up tight.
     

Cutting the Blocks

Cutting the Blocks
  6. Make a final check to ensure that they are actually perfectly square.
Cutting the Blocks
  7. The individual blocks can be cut out on a mitre saw with a fine blade to minimize breakout.
Cutting the Blocks
  8. If you make a mark on the fence at the required length it is just a question of sliding the timber along and chopping of each successive block. This is accurate enough at this stage as the finished chopping board will be thicknessed after assembly anyway.
Cutting the Blocks
  9. Even a fine toothed blade may lead to some breakout on the back of the cut and this must be removed on each block by sanding, so that they will pull up together really tight.
Cutting the Blocks
  10. Because I used two different pieces of timber, there was some colour variation within the blocks. But if you mix them all up in a random fashion the colour variation becomes a feature, and it will even out on exposure to the light in due course anyway.
     

Gluing the Blocks to the Baseboard

Gluing the Blocks to the Baseboard
  11. To help with the gluing up process, make a simple assembly jig consisting of two strips screwed to a baseboard at a perfect right angle.
Gluing the Blocks to the Baseboard
  12. Cover this baseboard and the strips with a piece of paper to prevent the blocks sticking to it and then start assembling them into the board, brushing on an even coat of waterproof PVA.
Gluing the Blocks to the Baseboard
  13. This takes some time, particularly if you need to juggle about with the colours and grain orientation. I tried to arrange it so that the grain direction was always at 90 degrees to each adjacent piece.
Gluing the Blocks to the Baseboard
  14. Then use some sash cramps to pull the whole thing together tight into the jig, and leave it to dry at least overnight.
Gluing the Blocks to the Baseboard
  15. Meanwhile make a start machining up the material for the base section. Thin material is rarely available ready cut, but it is relatively straightforward to re-saw it down from thicker material on the bandsaw.
     

Flattening the Top - 1

Flattening the Top - 1
  16. However with some materials, particularly the likes of maple, this always seems to release a lot off inbuilt stress and the material can sometimes subsequently warp quite alarmingly.
Flattening the Top - 1
  17. So ideally, I prefer to re-saw the material and then leave it for as long as possible before machining it, to allow the warping to settle down. As I am using dovetails to join up the sides of the box, I also machined some spare material for use as trial pieces for setting up the dovetail jig.
Flattening the Top - 1
  18. Now back to the chopping board itself. When the top is removed from the cramps the joints should all be good, but the top is not necessarily particularly flat.
Flattening the Top - 1
  19. Getting all this end grain perfectly smooth presents something of a machining challenge, but the answer is a thicknessing jig for use with the router. This consists of two rebated rails that stradle the chopping board surface.
Flattening the Top - 1
  20. Once this is set up and the chopping board safely secured, it is just a question of working backwards and forwards across the surface taking off a tiny amount on each pass, to gradually flatten it all out.
     

Flattening the Top - 2

Flattening the Top - 2
  21. Notice the use of sacrificial spacers at either side of the board to avoid damaging the jig. After several light passes you should end up with a perfectly smooth surface, not quite as good as you would get with the planer, but certainly the next best thing.
Flattening the Top - 2
  22. Repeat the procedure for the other side and then sand up the faces using a random orbit sander, working down the grades to about 180 grit.
Flattening the Top - 2
  23. At this point I did something rather stupid when really I should have known better. I thought that a light pass of the edges of the block over the planer would clean them up without doing any serious damage. However I underestimated the strength of the vertical grain and chipped the corners and some edges quite severely.
This is the sort of silly mistake that happens all too frequently despite my supposed experience! As my old boss would say” every day is a learning day”.

Flattening the Top - 2
  24. The only way to clean up this damage was to take a light cut on the circular saw using a fine toothed blade, and I hoped that if I repeated the cut on all four sides it would not show. Does it?
Flattening the Top - 2
  25. The top edges of the board are then rounded over using a rounding ovor cutter in the router and the lower edges lightly sanded with a tiny radius. Trend Ref. 46/12X1/4TC or C075X1/4TC).
     
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Constructing the Body of the Box - 1

Constructing the Body of the Box - 1
  26. The main body of the box is made up from the thin section maple, dovetailed together at the back using a Trend CDJ300 dovetail jig.
Constructing the Body of the Box - 1
  27. The set-up is quite critical and one thing I have found is that when you are working at one end of the jig, it always helps to pack under the comb at the other end with some similar material, to provide support for the weight of the router which will then ensure a perfect fit of the tails and pins.
Constructing the Body of the Box - 1
  28. Once the jig is properly set up, which will require a trial cut using your spare material, make the first cut in the real workpiece by moving the router from right to left to just sever the fibres.
Constructing the Body of the Box - 1
  29. This will prevent any breakout when you do the main cutting, now working from left to right.
Constructing the Body of the Box - 1
  30. Remember also that opposite sides of the box need to be machined at opposite ends of the jig.
     
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Constructing the Body of the Box - 2

Constructing the Body of the Box - 2
  31. Either adjust the offset guide or alter the width of the material to ensure s balanced appearance of the dovetails.
Constructing the Body of the Box - 2
  32. The cross pieces need to be fixed across the front of the box next and I did hesitate about just gluing and butt jointing them.
Constructing the Body of the Box - 2
  33. However, on reflection I decided this would not be strong enough and settled on biscuit jointing them instead using the Trend 342 bisuit jointing set.
Constructing the Body of the Box - 2
  34. For extra support clamp several workpieces side-by-side to machine the groove in the ends.
Constructing the Body of the Box - 2
  35. And use the same procedure for the matching groove in the side pieces.
     

Drawer Construction

Drawer Construction
  36. You will have to make your own tiny biscuits to suit these small slots. I cross cut standard number 20 biscuits and then shaped the ends on the disc sander, holding them carefully in a pair of pliers.
Drawer Construction
  37. Glue up the main box assembly, clamping it firmly but making sure that it remains square as you tighten up.
Drawer Construction
  38. The material for the drawer is more of the same, but with a thinner section and with a groove machined on one face to take the base.
Drawer Construction
  39. The base itself is a piece of Iroko re-sawn from a thicker board, then planed and thicknessed to suit the groove.
Drawer Construction
  40. The end is shaped with a shallow curve, as are the ends of the drawer sides. It is then a simple matter to glue up the drawer, again using waterproof PVA.
     

Final Assembly

Final Assembly
  41. Drawer runners are needed to guide the drawer into the box and these are just small strips of maple glued and clamped in place.
Final Assembly
  42. The drawer front is another simple gluing job, but I clamped it onto the drawer box in situ to make sure the alignment was correct.
Final Assembly
  43. To finish, the whole lot was given two coats of cellulose brushing lacquer to provide a seal, making sure to cover both sides of the block to prevent it warping.
Final Assembly
  44. Then when it is dry glue and screw the base onto the top and add four small rubber feet to stop it moving about or scratching the worktop.
Final Assembly
  45. Finally, rub down the block with some very fine abrasive paper and apply a couple of coats of food safe salad bowl oil to complete the job.

On reflection I think the overall design would be improved by making the box and drawer height a little less to improve the proportions. The top was meant to look deliberately chunky, but the height of the box section takes away from this a little. Otherwise a good result, I’ll wait and see if I get any orders!

     

Finished Project

Finished Project
  46. Finished chopping box.
Finished Project
  47. Chopped food slides straight into drawer,
Finished Project
  48. which then slides straight into the pan.



Written by Alan Holtham - Established woodworking author and video producer.
     
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